FIGHT: Vellum vs. Atticus vs. Scrivener

There’s been a little bit of disruption in the “writer’s tools” market recently. I see a lot of questions online about which tool is the best, and having spent my time in the various saddles, I thought I’d break down which I think is best. TL;DR: Wait, I thought this was about Vellum, Atticus, and Scrivener… WTAF are the other tools for? Good catch. Let’s consider writing as workflow. For example, your workflow might start with an idea, then an outline or timeline, a draft, editing, and finally production. I’ll focus on Vellum, Atticus, and Scrivener here, but my workflow relies on a good notes app, and a great timeline tool. Unless you can keep a word bible in your skull, you’ll need a notes app. If you’re an outline (rather than discovery) writer, you will benefit from a timeline/plot Read More …

The Little Synology that Wasn’t

Recently I did an inventory of the tech that powers the writing empire. You’ll probably notice a change of the site URL to parrydox.com, because I got tired of trying to convince people that .co was a valid domain (.co.nz and .com being most people’s mental search/replace). As a part of this process I ensured I was using the best tools for the job. In my writer’s stable I need: A good suite of writing software (currently Scrivener + Vellum, but likely to move to Atticus – to be covered in another post once I’ve thoroughly kicked the tyres); A website (you’re probably looking at it – props to FastComet, who offer excellent service – they actually respond to support tickets!) that showcases my books and how to get in touch with me; Some kind of mailing list provider; and Read More …

Bookshine Reviews Blade of Glass

And Steph liked it! “Richard Parry’s worldbuilding and plot are superb here, but what really stood out for me above everything else was his knack with characters. The dialogue exchanges are natural and witty, and you get a real sense for each individual character, their growth and the depth of the connections they forge as the story progresses. Even the horses have their own personalities and moments to shine – although not so much that they steal the show or disrupt the main plot. In addition to the classic fantasy tropes of good vs. evil and racing to find ‘the thing’, Parry has mixed in some interesting moral dynamics about corruption and perfection, dark and light, and who decides who are the good guys and who are the bad guys. I love the races of ‘others’ introduced here – the Read More …

On Existential Angst

Steph over at Bookshine allowed me to sully her blog with a topic near and dear to me after editing The Splintered Land. You can find it here: [Writer Angst 101: Continuity] If you like what you see on this site, maybe join my mailing list or become a patron!

The Sound of the Splintered Land

When I write a new story, I mint a soundtrack for it. This helps me a) get into the groove faster when I sit down at my keyboard and b) write a story that’s more consistent feeling between sessions (if it takes 3 months to write a novel, uniformly vibing is important). My 2020 Spotify Wrapped told me some interesting things, like: I spent a lot of time writing the Splintered Land books. Many top songs in my playlist, and my top artist, all feature on the Splintered Land soundtrack. And I spent more time with those tracks than listening to music doing anything else, which explains where all my damn free time went. If you listen to the soundtrack you will probably think: Wow, Richard has weird taste. This doesn’t sound like dark fantasy. What the fuck is going on? Read More …

Meet … Geneve

You might have missed the news that the Splintered Land trilogy is here. With a new trilogy comes new heroes. It’s time to meet Geneve! I hope you enjoy reading her story as much as I enjoyed writing it. Sorcerers are a blight. Knight Adept Geneve must end them. A wizard rumored to hold the Tome of Lost Souls is on the run. This powerful grimoire can destroy Geneve’s order in an instant. She must capture him–and the Tome. Geneve finds truth on her path. Monsters brutalize the world, and her leaders are complicit. She runs from them into the blasted plaguelands. Geneve damns herself through her choice of companions: a Feybrind who keeps his own counsel, a renegade illusionist, and one of the vile Vhemin. Her quest to uncover the Tome’s secret remains. If she succeeds, she will let Read More …

How to Find an Editor

I’ve had a few people ask recently for how to get an editor. I don’t know why I’m getting these questions – I figure it’s either because: My editing is so pro people want a slice o’ that ass, or They’re trying to drop a subtle hint that I should look into getting an editor. Let’s go with column A. I typed out a long-ish response to a query yesterday, so replicated it (mostly) below. It’s timely, as I’ve just started editing 377,000 words of The Splintered Land – so, reminders are always good, hey? Requests for editors circle around three issues. How to find one. What a good one looks like. Getting one at a fair price. The short answer is Tiffany is amazing and you can find her and ask for a quote here: https://writenowcreative.com/. Now, the longer version. Read More …

The Splintered Land’s First Draft is DONE

I interrupt your regularly scheduled scrolling to drop some happy. Requiem’s Justice, book 3 in the Splintered Land trilogy, is code complete as they say (…in a totally different industry). Sure, sure, I’ve about seven years’ of editing to do, but let me hold this one close for a while. It racks in just shy of 120,000 words, which is more or less what the other two are. When editing is done on all three, the series will look like this: Tomb of the Six Blade of Glass The Storm Within Requiem’s Justice The astute among you will notice there are four (4) titles, which seems an odd number for a trilogy. As I’m breaking into the hot new genre (for me) of epic/dark fantasy, you’ll get an on-the-house series prequel when this launches. You’ll be able to judge for Read More …