Jumanji: Welcome to the Jungle heads off on a video game adventure, where awkward teens get trapped in avatars way cooler than they are. It’s geeky, hilarious, and surprisingly deep, tackling friendship and self-acceptance while Dwayne Johnson flexes his pecs, Kevin Hart funnels raw energy from the sun, Jack Black channels his inner teenage girl, and Karen Gillan proves that jungle chic is a thing. It’s a reboot that actually works, blending action, comedy, and enough 90s nostalgia to make you feel renewed. Who knew jungle peril could feel this good? Read More …

Dev Patel’s Monkey Man is more than an action-packed revenge story—it’s a bold commentary on modern power structures. Patel’s character, Kid, starts as an antihero driven by vengeance but evolves into a symbol of resistance against corrupt elites. The film blends stunning fight scenes with spiritual themes, exploring the consequences of unchecked power and collective struggle. With villains embodying societal anxieties and a hero’s journey rooted in hope and sacrifice, Monkey Man asks us: Will we challenge the gods of today or settle for the scraps they offer? Read More …

I’m digging into The Union, Netflix’s latest action flick with Mark Wahlberg and Halle Berry. Despite the star power, this film is a wild ride of confusing plot twists, clumsy storytelling, and some head-scratching moments. I’m breaking down where it all went wrong. Think Drunken Master—but without the mastery. If you’re wondering why The Union left you puzzled, you’re not alone! Read More …

Prey, directed by Dan Trachtenberg, revitalises the Predator franchise by returning to the core of what makes a survival narrative compelling: simplicity and heroism. Set in 1719, it follows Naru, a young Comanche woman, as she defies tradition to protect her tribe from an alien predator. The film’s strength lies in its cultural authenticity and focus on a new kind of hero—one who blends intelligence, tradition, and courage. Prey isn’t just an action movie; it’s a statement on representation, honour, and the timeless quest for recognition and belonging. Read More …

Alien: Romulus will mess with your head and possibly traumatise you for life (in the best way possible). Check out why this movie is a must-see for fans of the franchise, but also a heroic return to form for the Alien series. Read More …

We saw Ritchie’s The Gentlemen on opening day (January 1st). We went into this: Being Guy Ritchie fans, and Wanting something clever, funny, and with just right right amount of action. We weren’t disappointed. Our first hint of being in for something special was the ticket attendant who asked in very sombre tones if we knew this was an R-rated movie. We thought she was being witty but after seeing the movie I think she was doing more sensitive audience-goers a solid. It’s clear Ritchie needed a palate cleanser after Disney’s Aladdin – a fun enough movie but without enough room for him to really swing a sword. I prefer Ritchie doing what he does best – clever, fast movies that push at least one boundary each time (my favourites are King Arthur and The Man from U.N.C.L.E., now joined Read More …

You might remember me gushing about Red Sister. It’s time for me to show you the path to another great grimdark tale: Nevernight, by Jay Kristoff. While Nevernight’s hero is a young woman, that’s where basic framing between the two tales ends. Nevernight’s Mia Corvere hunts murderers: her mission is to avenge the death of her parents. While this seems at first blush a fairly typical narrative arc, what makes Mia’s journey a little different is her dedication. She’s not content to slip a knife in someone’s ribs: Mia joins the Red Church, to follow our Lady of Blessed Murder. It’d be easy for this tale to degrade into a charnel house of body parts at this point, but Kristoff never takes his eyes off the prize. Mia’s not a Terminator-style killer; she didn’t chose this life, but was rather Read More …