4theWriters: How to Write LitRPG Without Losing the Plot

LitRPG is a genre where game mechanics and storytelling hold hands. The trick is making sure it doesn’t turn into a hostage situation. Writing LitRPG can be fun. You essentially get to play-act as a developer (either of tabletop or computer games) without having to put in years of work in another profession. You also get to create immersive worlds, craft intricate levelling systems, and finally give your meticulously built setting the starring role it deserves. What’s not to like? But there’s a trap: get too wrapped up in mechanics and you forget to tell a story, or put characters in it. If you’re afraid your book reads more like patch notes than a novel, you’ve got yourself a problem. If your protagonist spends more time explaining their inventory than actually using it, you might be entering the new genre Read More …

How to see your Writing More Clearly (Without Losing the Will to Live)

A real challenge with writing is the (very) long time between penning the first page and publication. It’s a huge amount of time to invest without getting feedback on how good the book is. There are tools to help, such as writer’s groups, and I’m going to share another: a self-starter you can use without the fear of another human making the You-Fucked-Up face. The real problem with humans is that, often, they want to make you feel good, or objectively think your feelings are things to be trashed. Getting good human feedback is super hard, because humans in general: a) think they’re good at feedback, but b) are fucking not. But reviews before reviews are still hugely valuable. We want to get the unbiased take without the existential dread of Goodreads. We want to improve, but without the gut-punch to Read More …

Reinvention, the Mask and the Cost: Being the Hero You Choose to Be

Some of the most compelling stories ever told don’t involve capes, laser eyes, or spandex that never rips. But they do borrow the superhero blueprint to make them unforgettable. From fantasy epics to space operas, from gritty urban crime tales to historical dramas, the core themes that make superhero stories powerful (reinvention, the mask, and the cost of becoming something more) can give any genre a much-needed punch in the narrative gut. I’m about to unleash some storytelling hacks that will elevate your heroes from oddly-boring-despite-the-great-hair to I-must-analyse-their-backstory-in-a-3,000-word-Reddit-post level. Whether you’re writing romantasy (love triangles, but with swords!) or epic space opera (and yes, using an ion cannon on a capital ship is questionable diplomacy), these tricks will make your heroes more relatable, believable, and most importantly, the kind of protagonist who forces readers to sacrifice sleep just to see what happens next. Before Read More …

Why You Liked… Editing with AI (and how to avoid alcoholism)

Editing is like flossing—necessary, infuriating, and occasionally involving bloodletting. Enter AI editing tools like Claude and ChatGPT: the MVPs of catching rogue commas or the worst gaslighters you’ll ever meet? Check out my break down of when these tools shine, when they hallucinate (can trebuchets launch that far?), and how to stop them from rewriting your emotional gut punches. If you’ve ever wondered whether AI is your new best friend or an overenthusiastic intern, this is for you. Spoiler: they hate your love for em dashes. Read More …

AI Tech Bros: Please Stop Attacking Creatives

AI innovations are expanding into creative areas without addressing urgent societal needs, sometimes creating solutions for non-existent problems with quality not yet matching human capability. A shift in tech financing questions the sustainability of free AI business models. There’s a critique of AI’s high energy consumption and inefficiency compared to the human brain, as well as concerns over misuse and regulation, particularly in the corporate sector where decision-making based on AI can lead to significant errors, exemplified by Air Canada’s blunder. Ultimately, the piece emphasises the need for AI to focus on solving challenging and painful tasks, providing real value, not trivialising creativity, and avoiding becoming a low-level tax on humanity. Read More …

Author Interview: Wayne Turmel 🐺

Wayne, a Canadian ex-standup comedian turned writer, talks about his transition to authorship and his Werewolf PI Series set in urban landscapes like Chicago and Las Vegas. His characters navigate a world of supernatural beings, facing off against rival werewolves, occult dangers, and a multitude of paranormal threats. With two books out and a third releasing May 2024, he shares advice on writing and editing, while admitting fiction’s challenges. Wayne can be found online through his Amazon author page and social media. Read More …

The Little Synology that Wasn’t

Recently I did an inventory of the tech that powers the writing empire. You’ll probably notice a change of the site URL to parrydox.com, because I got tired of trying to convince people that .co was a valid domain (.co.nz and .com being most people’s mental search/replace). As a part of this process I ensured I was using the best tools for the job. In my writer’s stable I need: A good suite of writing software (currently Scrivener + Vellum, but likely to move to Atticus – to be covered in another post once I’ve thoroughly kicked the tyres); A website (you’re probably looking at it – props to FastComet, who offer excellent service – they actually respond to support tickets!) that showcases my books and how to get in touch with me; Some kind of mailing list provider; and Read More …

On Existential Angst

Steph over at Bookshine allowed me to sully her blog with a topic near and dear to me after editing The Splintered Land. You can find it here: [Writer Angst 101: Continuity] If you like what you see on this site, maybe join my mailing list or become a patron!

How to Find an Editor

I’ve had a few people ask recently for how to get an editor. I don’t know why I’m getting these questions – I figure it’s either because: My editing is so pro people want a slice o’ that ass, or They’re trying to drop a subtle hint that I should look into getting an editor. Let’s go with column A. I typed out a long-ish response to a query yesterday, so replicated it (mostly) below. It’s timely, as I’ve just started editing 377,000 words of The Splintered Land – so, reminders are always good, hey? Requests for editors circle around three issues. How to find one. What a good one looks like. Getting one at a fair price. The short answer is Tiffany is amazing and you can find her and ask for a quote here: https://writenowcreative.com/. Now, the longer version. Read More …