Why You Liked … Ballerina

With John Wick ready for retirement (his knees have voted), Ballerina arrives not as a simple spinoff, but as a necessary passing of the torch. Ana de Armas’s Eve brings the franchise back to the personal, gritty stakes that made it a hit, shedding the convoluted lore of later chapters. She fights with a clever viciousness that’s all her own, driven by a furious desire to get IN, not out. This is a triumphant return to what makes this world great: getting both mad and even. Read More …

Why You Liked … The Accountant 2

Forget awkward holiday dinners. The Wolff brothers’ idea of family bonding involves dismantling a human trafficking ring, and I am here for it.

In my deep dive into The Accountant 2, I break down why this sequel is less about the “whodunnit” and more about the brilliant, action-packed story of brotherhood. I’ll explore how Christian and Braxton’s unique dynamic works, why their fight scenes are a form of therapy, and how the film argues that for some, love is a deliberate, difficult calculation. It’s a surprisingly heartwarming take on murder. Read More …

Why You Liked … Nimona

Nimona (2023) almost died when Disney shuttered Blue Sky Studios at 70% completion, but Netflix’s resurrection gave us something extraordinary. Chloë Grace Moretz delivers vocal shapeshifting mastery as the titular anarchic hero, while Riz Ahmed anchors perfectly as troubled knight Ballister. The film’s genius lies in using disarming pink aesthetics to explore othering, identity, and radical acceptance without preaching. Through a gut-punch scene showing how fear is taught, Nimona becomes a parable for LGBTQ+ struggles and societal displacement. It’s ultimately about friendship as shield against a world that misunderstands you—a pink-horned reminder that the most transformative stories fight to exist. Read More …

Why You Didn’t Like … Archive

Gavin Rothery’s Archive had everything needed for sci-fi greatness: stunning cinematography, brilliant performances from Theo James and Stacy Martin, and profound questions about AI consciousness that feel eerily relevant today. George’s obsessive quest to resurrect his dead wife Jules through increasingly sophisticated AI iterations creates genuine emotional investment and explores the ethics of creating synthetic life.
But then comes the ending, a devastating “it was all a dream” twist that obliterates 90 minutes of masterful storytelling. This isn’t just a weak conclusion; it’s a complete betrayal of audience trust that transforms a potential classic into a cautionary tale about narrative promises. Archive proves that even the most compelling premise can’t survive cinema’s most insulting trope. Read More …

Why You Liked … The Gorge

The Gorge: More Than Meets the IMDb Score? Why do some “average” movies resonate so deeply? My latest Scene & Unseen tackles “The Gorge.” Despite a modest IMDb rating, this Miles Teller and Anya Taylor-Joy sci-fi thriller is a cult classic in the making. It’s not just guns and monsters; it’s an unexpected US/Russian armistice and a powerful story of connection. I explore how two opposing operatives forge a bond, challenging indoctrination and making us question who the real monsters are. Discover the surprising depth and genre twists that make “The Gorge” hit different. Read/watch the full analysis now! Read More …

Why You (Might) Like … Disciples: Liberation

Disciples: Liberation – It’s Me, Not You (Probably!)

It’s 2025, the Pope’s from Chicago, and I’m recommending a game I uninstalled: Disciples: Liberation. After 14 hours, I see its brilliance – a gritty story, fantastic characters (Avyanna & Orion!), and deep tactical combat. Yet, its army-building focus and specific challenge scaling weren’t my personal fit. This well-made tactical RPG deserves an audience, even if it’s not me. Hear my full “it’s me, not you” breakdown for why you might love what I couldn’t. Read More …

Why You Were Mildly Entertained by… Mission: Mehpossible — The Reckoning of Exposition

Mission: Impossible – The Final Reckoning isn’t a bad film. It’s just a painfully average one that forgets what makes this franchise tick. With a slow start, undercooked villain, and action scenes that trade ingenuity for spectacle, it struggles to stand alone or satisfy as a sequel. Tom Cruise still delivers, and Hayley Atwell shines, but the magic of masks, heists, and clever cons is sorely missed. It’s decent popcorn fare, but as a Mission: Impossible entry? This one never quite detonates. Read More …

Why You Liked … Doom: The Dark Ages

Doom: The Dark Ages isn’t just more Doom. It’s smarter, meaner, and surprisingly thoughtful. In this review, I break down why this demon-slaying metal opera deserves to be called a masterpiece. From its gloriously brutal combat to its unexpectedly strong character work (yes, even Doom Slayer has feelings now), it’s a game that proves story = plot + character. Also, shoutout to Thira’s full armour and her dad’s shirtless thirst-trap energy. Doom finally grows up a bit, and it looks damn good doing it. Watch (or read, if you want to count the Warhammer jokes). Read More …

Why You Liked … The Accountant

A Different Kind of Hero: Ben Affleck plays an autistic accountant with a moral code, a kill count, and a calculator (and somehow, it works). With the sequel out now, I revisited The Accountant to explore why this unlikely action film still hits so hard.

This isn’t just about bullets and balance sheets. It’s about what happens when a neurodivergent lead doesn’t just survive the story, but owns it.

I dig into representation, justice, evolution, and why Christian Wolff might be the most quietly revolutionary hero we’ve seen in years.

📘 Bring your spreadsheets and your feels.
🧠 Read the full breakdown here! Read More …

Why You Liked … Star Wars Jedi: Fallen Order

Remember that one wall-run Cal definitely should’ve made but instead yeeted himself into a ravine? Yeah. We all do. And yet… we kept playing. Why? Because this game slapped harder than a Wookiee with abandonment issues. It wasn’t just lightsabers and trauma (though: yes), it was heart, grit, and the kind of hope Star Wars had misplaced in a ditch somewhere post-Last Jedi. This wasn’t about becoming a Jedi. It was about surviving, healing, and Force-pushing stormtroopers off cliffs. And honestly? That’s the dream.

[Full review here — bring your feelings and maybe a stim canister.] Read More …